Find album reviews, stream songs, credits and award information for Fragmente: Stille, an Diotima – Luigi Nono on AllMusic – – Diotima was Socrates’. View credits, reviews, tracks and shop for the CD release of Fragmente- Stille, An Diotima / “Hay Que Caminar” Sognando on Discogs. View credits, reviews, tracks and shop for the CD release of Fragmente – Stille, An Diotima on Discogs.
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Arditti String Quartet Edition, No. It is like an archipelago of sound emerging from that stillness only to fade again and again fragmrnt those pauses. Here too, in the verbal mode, a fading in and out: The quotation of a lovers lament by Ockeghem, the most enigmatic of the great Netherlandish composers, is not only an frayment to an earlier period in the history of music, it is also charged with memories of the composers late mentor and friend, Bruno Maderna.
This work one of the Quattro Pezzi Sacri for chorus a cappella combines modern expressiveness with vocal writing in the style of Palestrina to create a prayer, a musical representation of the Virgin. Genre Chamber Music Classical.
Jazz Latin New Age. Romantic Evening Sex All Themes. String Quartet, Fragments; Beethoven: Festival Alternativa, Moscow, October, The Fragments — Stillness must be discovered aurally, literally extracted in the process of hearing.
Sexy Trippy All Moods. Rainy Day Relaxation Road Trip. Weightlessness, light, air — these are suggested by sounds which are characteristic of this work but previously quite unusual for Nono: Drinking Hanging Out In Love. Share on facebook twitter tumblr. The music is guided by lines from Holderlin ‘s famous poem Diotima was Socrates’ teacher, and is associated with the concept “Time”which are present only as unspoken meditations and guideposts written into the score in 52 places.
To compose a string quartet: Nono analysed this stipl during his studies with Malipiero and Bruno Maderna, and Maderna later orchestrated this very piece.
Even with all his attention to creating intricate microstructures, it was still expressive sound, the human voice and, above all, large-scale dramatic contrasts that formed the essence of his music.
This is hinted at by the title: Fragmente; Hay que caminar. The composer poses the fundamental question: Verdi fused the old Palestrina with the contemporary, and Nono does the same: This composition seeks to “externalize as fully as possible that which has been internalized Written for the Beethoven Festival in Bonn, Nono uses Beethoven ‘s piano sonata instruction mit innigster Empfindung roughly, “with innermost searching of the heart” to imply a readiness to break out of the habitual “into the open air.
Nono addresses the fundamental questions “Where am I, and who am I?
The music does not illustrate or comment on the texts.