1-+ 1 ~:haptr,ztroduction HEXATONICS llexatonic scales are six note scales. One way to create a hexatonic scale is to combine the notes of two. Many modern piano players use hexatonic voicings by stacking the triads to create a particular harmony. By Jerry Bergonzi Book & CD Item: ADV Sheet Music – £ – Hexatonic scales are six note scales. This book presents a practical method for the construction of hexatonic scales that are useful for.
|Country:||United Arab Emirates|
|Published (Last):||11 March 2005|
|PDF File Size:||9.70 Mb|
|ePub File Size:||13.57 Mb|
|Price:||Free* [*Free Regsitration Required]|
Some of the hexatonics in this book create a high level of tonal ambiguity. The first hexatonic is the one most commonly played, and also the one that Walt Wieskof bases his entire book on.
Jerry Bergonzi vol 4 – Melodic-Rhythms Education. Also, does Bergonzi basically cover all of the material in the Campbell book or berggonzi they complementary?
You need the password It could also be used bergonzl minor chords. We improvise in” the sound of the voicing and using hexatonic voicings and lines can lend avery contemporary sound. So, when the same hexatonic in one place is referred to as “G: Gary Campbell has a very good explanation of why triad pairs are useful.
The book is big and just shy of pages. Serious Resources for Serious Players View my complete profile.
Try integrating this approach with other melodic materiaL:: D jC-Try playing 8 notes of any hexatonic melody using the notes of the grid as starting notes. The hexatonic to play is written above the bar with the chord symbol below. Natural 11 on a dominant bbergonzi is an avoid note but it sounds fine when used in passing.
Experimenting with different types of triads and with relationships beyond half-step and whole-step will provide more melodic possibilities, some leaning more towards polytonality than others. On an F7 chord, it sounds the: Try integrating this approach with other melodic material. Shit, I sound like I’m trying for a job as his publicist, but is this your basic point, reworded with my usual verbosity? This major over major hexatonic can fit over many chords. B- jC-Try playing 8 notes of any hexatonic melody using the notes of the grid as starting note”.
By using two triads, bi-tonal effects are created. In some instances you might want the more dissonant sound of minor 9ths. The book starts out with a chapter dealing with a Major triad over hexatlnics Major triad a whole step apart.
One way to create a hexatonic scale is to combine the notes of two triads that don’t have any common tones. Beginning with half-step relationships, F major and E major triads can bergonzzi useful over ii and V in the key of C, while also generating interest with non-diatonic tones.
What follows is a list of different melodies derived from this hexatonic scale. E-7 A7 Bervonzi G7 Of course, improvising and using only one particular hexatonic sounds very onedimensionaL Nevertheless, it is a good way to practice in order to make it your own. Is Berklee College of music out of your price range?
Hans-jorg Rudiger for suggestions and putting it all together. Therefore, choosing key signatures, accidentals or even names jar the triads involved was not always an easy task. Thousands of pages of Jazz transcriptions!
There are numerous hexatonic scales. I fully describe Mr. These are the work books from Jazz Harmon Viola vol 1 Jerry Bergonzi Vol Here are some great links to free sax solo transcriptions- Sax solos link Lucas Pickford’s transcriptions Charles McNeal’s tra J Due to the nature of this book and to economize space, the word triad will be omitted after the pitch name. The structure and “tensile strength” of triads give the melodic line an hexatonicx internal logic.
Jerry Bergonzi – Inside Improvisation Vol. Have each hexatonic 1 bar,2 bars or 4 bars each. Again, there are 72 different melodies written out. On a minor 7th chord, the upper triad sounds the 9, n 1 and George Russell’s ‘Lydian Chromatic Concept’.
Donate to Casa Valdez!!
By limiting note selection to six tones each triad consisting of threea more concise sonority is created. Vol – [Jerry Bergonzi] Documents.
As with the other books in this series, there is hexaotnics along CD to tryout all of these different sounds. G-7 7 Hexatonics in parenthesis create a higher degree of tension. D triad over e bergonsi can be written and played in any inversion, for example: F;IC Try playing 8 notes of any hexatonic melody using the notes of the grid as starting notes. Do you want to see what you’re missing?
Triads are incredibly strong sounding melodic devices. Programma del triennio di di